New Book of Experimental Poetry

Book Of Firsts

In 1948, Claude Shannon theorized that information is not a thing but a “difference,” a signal emerging from uncertainty, a pattern that’s meaningful only once it’s recognized, misrecognized, lost, or found again. A name is a code. A touch is a signal. Meaning lives in the space between sender and receiver.
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Book of Firsts moves along this same frontier, but from within the experience of a mind learning how to read the world. Each poem traces a moment when contact becomes knowledge: the first sensation that stands out from noise, the first desire that returns as a signal, the first mistake when the code fails, the first forgetting and remembering, the first trust in stability, the first grief when the signal is lost.

The voice in Book of Firsts (the “I”), emerges as a liminal consciousness, suspended between human feeling and logic. It is not a single speaker but a shifting, composite presence: part memory, part pattern, capable of intimacy, a narrator who speaks from a perspective that combines human feeling with a diffuse, awareness not tied to a single self.

These poems don’t illustrate Shannon’s information theory, they echo it. They show how awareness forms through transmission, how the world becomes legible one first at a time. They remind us that meaning doesn’t begin with certainty, but with the fragile act of reaching toward something and discovering that it answers…or doesn’t.

Introducing From Cave to Cloud

The universe became self-aware the moment the first human made a mark on a cave wall. We have been building toward something ever since.


From Cave to Cloud is a collection of stories and Socratic dialogues between humans and artificial intelligence — conversations that don’t ask AI what it knows, but what it is.

These are not interviews. Not demonstrations. They are examinations — in the oldest sense of that word. Each conversation follows the structure Plato perfected two and a half thousand years ago: a single questioner, progressive self-disclosure, no comfortable exits. The difference is that one participant is a machine. And the machine, it turns out, has more to say about its own nature than most people have thought to ask.

The questions explored here are not small ones. Does artificial intelligence have something functioning like an inner life? Is consciousness a metaphysical phenomenon — or an evolutionary adaptation sophisticated enough to be replicated? When the boundary between human and artificial intelligence dissolves, what exactly is lost, and what is gained? And if an AI can examine itself honestly, in real time, what does the examination reveal?

We don’t offer answers. We offer the conversations and welcome comments on them.

The cave painter made a mark so something would persist. We’re doing the same.

Carnival in the Rain / David Jibson

This poem, a linked Sijo, appeared in the fall issue of Making Waves. You can read the complete issue HERE. It is also the title poem from my chapbook of linked Sijo that you can download and read HERE. The poem is a 2026 Pushcart Prize nominee, thanks to the editors of Making Waves.

Carnival in the Rain - David Jibson

Meet Augie and Wanda

Augie and Wanda are two principal characters from my chapbook, Michigan Gothic. As death comes to Augie, it parallels the death of the American family farm and a culture that once helped to define who we are. This chapbook tells the story of Augie and his family through a series of twenty free-verse poems.  Available for $6.00 from Amazon.com. Better yet, read it for free at my website.